Mother

She’s the lifeforce. I woke up next to her one day, and touched her face. Soft. I know all the lines, I know why she smiles, and I’ve seen the frowns, I have seen the tears.

I remember the day she lost her mother; I remember the day we had a monster break in through her parent’s house and shove my nana to the ground, this 6ft tall, hunkering man. And I remember her scream.

I remember the day she breathed life into me as I nearly choked to death, I remember her pumping my chest to keep me fading forever. Mother. Mother. Mother! I yelled as I thought she was fainting once, as I ran over to her. I thought I would have lost her then. Mother! I yelled in pain, over this, that, the other. Her eyes, they keep me going for now. I have to remember those eyes, and that heart, and that soul, always by my side.

She comes over sometimes and hugs me, brings me a cup of coffee, or tea – she asks me what I am up to, what I have done so far. How is it that I am yet unable to care for her the way she can for me. Mother, let me cook for you, let me take that burden – let me, let me, let me. What are those cracks in your heart that you hide from me.

Her hair is so silver now, but her smile is as beautiful and as gorgeous as ever, the way I would want to remember after thousands of sunrises more, for she and the sun, they are the same, the lifeforce. Mother.

The Objectification of Me

Have you ever felt the itensity of the male gaze? As it lingers over your face, your lips, your hair…. eyes digging into your face.

It almost feels like hate washing over you, like unwanted bees swarming all over your body – as you try to shake it off.

The touch of someone’s hand brushes over your arm, up and down, reassuring – but removing your agency from the equation.

The eyes squint, gauging your strenghts and weaknesses, like a hunter assessing the routes its prey can take. Slow, measured, and with a lethal precision.

A friendly, but fake smile, microexpressions: am I going to lose here or win? What are the stakes of the situation? And how can I best exploit… her?

Can I use her money, her looks, her brains, her charm, her passion? Can I sell her off as something that I own? – or is she too rebellious? Assessing your prowess.

Can I get away with that? That? That?

And all the thoughts that you think as a man. All the thoughts that I dont think twice about when I fall head first in love. And you want me to act like this is a transaction. Your body, and mine. The socioeconomics of how you can control me.

You dont own me.

 

Delusion

I want to make
art
out of you
That is the best use
that I can think of
for your masculinity
So fragile
That you can be my muse
You ask me
About the clothes that I wear
my make up that you think
I put on for your benefit
When you see me
You ask me
if I am going out tonight
Because my face looks all made up
For someone else’s approval
No.
This is my war paint
That you cannot crack into
My purple lip stain says
I have been bruised
Too many times in the past
This is not a welcome note
to taste my lips
This is defiance
This
is a reminder for me
to hold my tongue
That can set your insides
On fire
You call me a prop
That you can use
To show off to your friends
As a validation of your existence
A marker to prove your virility
Isnt it rather ironic
That you need me
To make you feel like a man
My metallic eyeshadow is not
a simple flirtation
It is a warning sign
Do not mess with these dark eyes
They have cried rivers and there will be
no more
This mascara will not stain
And ruin the bronze blush
on my cheeks; ever.
My hands, with my nails in lavender
Are not meant for you to lead
overpower, do not drown out my voice
or try to invalidate my worth
These are talons
They know how to wield a knife
and they know how to pull the trigger
… If I choose
You are expecting
Politeness
From a girl who has known the streets
And loves every path that
this World has offered up to me
as an homage to my existence
That has led me on to
new adventures and highs
You
Are expecting me to cower
and make myself smaller
in your presence
Like a flower about to be
crushed beneath your boots
to tremble.
You want me to tone down
My existence
Because you cannot figure out
Which box to place me in
What checks to mark
How to define this, this, this,
this thing, this girl,
This mind?
This person?
This human?
This soul?
And you want to belittle me
when I am nice
mistaking,
once again, kindness for weakness
Pity for cowardice
Silence for permission to ridicule
When
You
are
not
a
battle
worth
fighting
for
You expect me to break
When all the while I have admired
The women
who are the artists, the rebels,
revolutionaries
Protestors; change agents
My Frida, my Amelia, my Rosa,
My Marie,
My Elizabeth, my Florence, my Coco
And I can be anyone
I choose to be
On any given day
Yes: a bitch.
And you forget
That gasoline and sparks
create the same fire
Regardless of the hand
that lights it
My God
Has
not
made
me
Frail.
That,
is your delusion.
© The Wild Child Experiment, 2017.

Bloom

She’s nice
As if it’s an insult
A pitiful statement
Because you’re not
Because you chose to be a generic type a asshole
“You’re so nice,” and I hope you die
But wait, you are so aggressive
Oh dear
Why don’t you smile more, you’re so pretty
What’s got you down today?
Well I can play the game better
Better than you
You know I have seen so many lows
And you want to teach me my place
My place, in the grand scheme of things
You with your worldview that’s limited to
Treating people like playthings
My caramel skin
You want to teach me to bow
You want me to act like a damsel in distress
Because I cant figure out how the numbers add up
My full, pink lips
You want me to be on my knees
And say that I respect your arrogance
Your lack of understanding
My kindness
That you mistake for weakness time after time
My bright blonde hair
You can’t even scratch the surface of my darkness
Nor the years that made my skin as thick as a dragon’s
The scales that protect me from the likes of you
Your predatory eyes that undress me for your pleasure
And your pleasure alone
My distress that causes a gleam in your eyes
My weary shoulders that carry the weight of my sorrows
Solitary, exiled
My spine that’s rigid
Unforgiving as your rumors
A silver gun pointed at my head
You, you expect me to bow?
With your lies, and poison and devious tongue
My dark brown eyes
That see right through your shallow pride
Your empty nights
Your insecurities
Your mind filled with ambition
You expect me to bow?
You?
When you tell me I haven’t been humbled enough
As if you are some kind of immortal
Remind me again
Why do I engage with the likes of you?
You that would reach the top only to fall
Only to burn into ashes and dust
Beneath the soil like innumerable others
You, that believes in no god, no heart, and no soul
In your tiny little bubble
You, who expects me to be a lesser person
A timid little thing, with no voice
And no valor
You that walks on the hopes and dreams of others
Just to make yourself feel taller
When amongst the giants you are still a nobody
And you want me to bow?
Trying to make objects out of people
Trying to turn flesh, and skin, and hair,
Heart, lungs, and hands, feet made to run
And a mouth that spits fire
Into your possession
Clay in your hand, to bend to your every whim
Your mind trying to crack into my facades
But did I tell you I can’t count the number
Of lies that I have told you anymore
Because your eyes look hard into me
Trying to break into my defenses
Your hands try to claw off my skin
Rip my soul to tiny little shreds
Like paper through a shredder
Your smirks that want to wipe away
All my laughter and cloud my sunny days
You, that wants me to change every way I own
To block every path that I tread
I pity you
And your petty little games
You, that needs fifty other tongues
To devour my very existence
Fifty others to break down my walls
To trample upon my heart
You, a petty little fiend
That only wants to stomp
On a flower that’s only going to last
This spring
You want me to bow
Before I die?
Not I

© The Wild Child Experiment, 2017.

The Fall

The lonesome tree on the hill
Has all but shed its leaves
The crunching sound on the footpath
Beneath my hurried steps
Reminds me it’s another fall
It’s time to shed the old skin
And walk the same familiar paths
Look at it with new eyes
And I know there’s a spring
In my steps that I won’t lose
For a long time to come
For a long time ago I made mistakes
And I felt time stand still
For endless seasons as I tried
To find my way back to myself
And there are faces, fleeting
That still haunt me in my weary moments
But their echoes are long gone
There will be new mistakes
Oh, but they are welcome new mistakes
That won’t take a toll on my frame
Like the last time
I won’t shatter at every lie
And I will see past your coldness, this time
And the next time and every other time
At every turn
Till I see my comrades
Wave me over from the other side
The lessons of fall
It took me a while to learn
But I always learn my lessons well
Fool me once, fool me twice, and fool me thrice
This is my armor, and you are my master
Come next fall
And I might look frail and weathered
But my roots are stronger than before
And I will stand tall
And weather all storms
Come and see me in summer
And I will provide you with shade
In the burning sun
You weary, weary traveler
I never said you were the worthless one
I never said you were the lowly one
I never said you were the weak one
I saw all your flaws as if they were mine
Lessons of fall
As I stand here
And don’t you love the autumn wind
It’s a beautiful starry night
Just for me every single time

© The Wild Child Experiment, 2016.

Truce

It started out as a game, I know. It always starts out that way. The playful banter deteriorates into something else entirely. It’s a battle of wits, then it’s the battle of wills. And at the end of the day, neither one of us is the wiser.

I let you see me at my worst. I let you see me rage. And throw taunts. I am not the best version of myself. I am learning my boundaries and I am testing yours. I am tortured to think that you cannot see that. That you think I am not aware of my flaws. But I want you to understand that I am a mixture of my worst fears, my hopes and my dreams. I scream and yell, in pain, and I push you away when I need you the most.

I needed you, and I needed you to help me. But I did not want it. Desperately needing you to reach out to me and get through to me, while holding onto all parts of myself that I really need you to see. And where did that land us? In a whole lot of trouble. Because I see it now: I am a contrary and perverse person. I never really learned to say what I need or what I want, and now I have wrecked this. I have wrecked us.

I don’t think it is too late. How can it be too late? When you have seen me at my worst and I am just reaching out to you know to let you see me at my best. I have fixed the broken, damaged parts of me. I am not reaching out to you because I need you now, I am reaching out to you because I am whole. I have nothing more than kindness and good company to offer you. I am still not perfect. I am still not the best. But I realize the things that have been holding me back from you were parts of me that I needed to fix myself, without anyone’s help.

So this is it, this is the final call. This is the white flag. This is all that’s left. We can pick up the pieces and move on from here. Forward.

© The Wild Child Experiment, 2016.

The Muse

We are waiting. We are waiting for that lightning to strike.

For all the years that have gone by and the few more yet to come. We are waiting. We are waiting for lightning to strike. The depth of the night is slowly fading. The morning light is brightening the world. The room feels like and endless bottom of the well. I have forgotten again there is purpose and that there is meaning. I’m losing track of time. There is you though. Sitting in that corner chair, with your side swept hair. Or are you yet another figment of my imagination.

I have dreamt you and contemplated you so many times tonight, in all your flawed imperfection that reality seems a distant shore, far out of my reach. I know in time the alarm will go off. It will jar my half asleep reverie, to be so acutely aware of the fact that it hurts even to think of it even in this haze.

The town is a dreary mess of grey snow that at first was so sparkly it brightened up even the nighttime world. Do you remember? Probably not. I asked for a drink, just because. For what is life without creating memories? Is that not all that we are made of? The past and all our actions in the present and all that we aspire to be. In this short span of time. That is your life and that is my life. Your dreams and my dreams, so very different, so very alike.

And is it not always like this for me? Holding infinity in the palm of my hand; and eternity in an hour. For every breath that I take is now easy and every ache in my bones is eased simply by the touch of your hand. Would it be that I would let you go? Of course I would. I thought I had paid my dues. Every scar, every heartbreak and every lost moment, every lost possession that brings me closer. Every time I look back and I am left bereft with the knowledge of how temporary everything is. You with your bright eyes, I said my brother’s eyes, and devious smile. Sentimentality has never been my fondest trait and yet here I sit, wishing again for the nights to turn sparkly and bright. First snow, I said. I have never known this much cold and I have never felt this warm. But sometimes, only I know, I lie.

I wish for a muse. And I am granted my wish. Would that I had wished for something else? Some kind of kindness that is everlasting. Some kind of permanence to my fleeting existence. To not be so aware. To live in the moment. But that is what “we” writers are, are we not? Professional observers. A rather markedly cerebral view point. And is that all my adventures are. Misadventures. Punishing yourself just to be able to create something to share with the world. This little world that no one cares exists, just to know that you have created something. The public persona, the private persona and the recklessness that sets in to break the rules. To just be the professional observer. To not care about the whispers, the stolen glances amongst peers. The writer is reckless. The writer is abandon. The writer does not care for the risk to reputation. What is reputation anyway? The damned social constructs that get thrown in the face of people who can take the risk to their pride and their ego. We have to sit and wait patiently then…  For you to see the madness has subsided. For we do belong in the same world as you.

You are no longer the muse and you will turn to dust and ashes, just like the rest of the world. With all your charm and all your flaws, your self-help books, stickers on kitchen cabinets and drawers, yoga mat and white boards all over the place noting down every important detail of your day and the changing quotes. Ah forgive me, for I do not mean to belittle this world that you have created, it is just as much valid as mine, perhaps even more so, for you follow some modicum of propriety. And I choose to eschew them.

I wish I had more. I wish I had more than the nights that I stole. But like the impermanence of everything in my life, I must resign myself to the facts. I wonder.  I wonder if you ever wrote about someone, or if someone ever wrote about you. I wonder what broke your heart. I wonder what you were like as a child. You will share this and that… and more with someone else. Just another one who might mean something to you… eventually. Maybe. I wonder what you wait around for. The things that I wonder about.

Am I the cruel one? Do I only take? “Succubus”. Who is it that you were you talking about? I wonder. I wonder if anyone else ever made mental notes of the things that you have spoken. Even if it is to write about you later. Even if I seem passive. Unaware to you.

Teal.

Teal, tangerine, pomegranate pink. Wood. Forest green, yellow. Yellow, like Calvin’s hair. God. I never share anything I ever write about anyone. I’ve never done that before. If I had my canvas, and my oils, and my paints. Fire.

I will never step up those stairs, my teeth will never mark you again. Ever. The tinge of bitterness in your words, I can still taste. Maybe I let it get out of hand, I forget I was part of the scenario, you see. A younger me would have dared to say I was in love – but you know that takes time. No, I was just the observer. You were the subject. Am I not the impostor when I only exist to watch? Is it perverse? There I was, thinking I could actually write a novel while you told me that I was probably just as colorblind as you. In that tone. That tone that daggers would run shy of.

Here we are though: you have the proverbial conquest. You walk with a little swagger, you have an air of indifference. I have, again, my impermanence to deal with. Eternity has slipped away and the ship has sunk. I am on the rocks, so to speak.

Doesnt she make quite a fool? Isn’t she crazy? What do you say about me? But I am no Sammy.

And perhaps you mistake my taunts for being terrible. Perhaps you mistake my silence for lack of courage. Dear lord, I am anything but.

You deserved better.

But I am a liar. Delusional. A writer.

Man is born free, and everywhere he is in chains. ~ Jean-Jacques Rousseau

© The Wild Child Experiment, 2016.

In A Box

In a box. Like one of your dainty, porcelain dolls, fragile and definitely apt to be broken by any reckless movement any day.
In a box. A defiant tomboy with scraped knees and hands, muddied shoes.
In a box. Like a reckless wench who gets in one too many fights, a bloodied mouth and burst lips.
In a box. Like a pretty lady for the day, dressed to conform, a shy smile and lowered eyes, oh so demure.
In a box. Waiting.
In a box. Like a smart mouth with a painted on smile and 2 cents to spare.
In a box. Like a teary faced, vulnerable child and begging for understanding just this once.
In a box. Like a petty, destructive gypsy spewing sentences no one wants to remember twice.
In a box. Breaking the ice, winning smile and genuine compliments and warmth. Just a ray of sunshine.
In a box. 3a.m. texting; waiting for a reply that won’t come. Ignoring a message that should never have been sent.
In a box. Waiting.
In a box. Carefree, wild laughter a cup of coffee in hand, staring at the skies and feeling grateful.
In a box. A walk, shielding a book from the rain, thinking this is the most beautiful day ever spent here on this earth.
In a box. Making early morning breakfast, hoping to catch the sun and knowing such a morning will never happen again.
In a box. Arms folded, defiant; petulant. Both knowing it’s going to be a long night ahead.
In a box. She just doesn’t let anyone else win. What a bitch.
In a box. Best friend, selfless mode on, listening to the boy you like talking about some girl and giving the best advice.
In a box. Sitting, smiling and sharing thoughts. Being a sister.
In a box. Waiting.
In a box. Acknowledging death.
In a box.

© The Wild Child Experiment, 2015

Storyteller

Silver tongued devil
Making up stories
out of thin air
he came by one day
fixed his hair on the steps
of my workplace
such a sly grin
on his crooked face
Asking me if I had time
for lunch today
A twinkle in his eye
And dont I know
Where I always trip
and fall
And I know he thinks
He’s got me wrapped
around his little finger
Wait
You know I have seen
this scene play out before
Such a reckless autumn day
has me saying, ‘yes’
I forgot to tell him again
I live for the coffee
and cigarette smoke
cologne left on my skin
and some ill fated
memories
And dreams unfulfilled
When you know
you get by on nothing
Everything is pleasure
and every smile is a promise
So I let him take the lead
Open doors
and share a meal
Good company
and just another thrill
Ran my hand through
his hair
Smiled at his game
Silly boy
Doesn’t read me too well
I thank him for the time
Tell him
Coffee on me
Some other time

© The Wild Child Experiment, 2014

Too Much/ Too Little

You’ve seen too much. I get it.
Maybe this can’t be saved and maybe, just maybe I have walked too far to make it back home.
You’ve seen too much and maybe you don’t care for my words any more. My sentences like something you have heard from someone else. Maybe I smile too much and that rakes on your senses.
You’ve seen too much, I get it.
You sit by the fireside and tell me, ‘You’re reading too much into it.’
I think you’ve seen too much and are too calculated, ‘You share too little.’ I smile back.